Time May Change Me, But I Can’t Trace Time

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Time May Change Me, But I Can't Trace Time

By Charles E. Gannon, Ph.D., and David Carrico

(with props/apologies to David Bowie for the title)

 

 

(This is the first of several possible articles that will grow out of a series of discussions among the members of the Grantville Gazette extended editorial board.)

 

One of the interesting things about playing in Eric Flint's 1632/Ring of Fire sandbox lies in thinking through all of the changes that can happen and will happen in the New Time Line (NTL) post-Ring of Fire (ROF) and how they will occur both earlier and differently than in the Original Time Line (OTL). Writers get rather excited about those kinds of story possibilities. There’s just one little hitch: most of the various 1632 writers are Americans, and we have a tendency to think that the changes are going to happen both more quickly and more easily than they probably will.

 

Unfortunately, they probably won't. There are several reasons for this, the thorniest of which is cultural inertia (for lack of a more precise term).

 

Any of you who have overseas diplomatic experience, overseas military experience, or overseas NGO experience outside of Europe can testify to the incredible (to the American mind) tendency of other cultures to resist anything that is a "core" change. This is a fact of life in most cultures, and it's one that will be in place in the NTL. Eric Flint and the Grantville Gazette editors are aware of this, and as a consequence rather firmly resist a lot of story ideas that are presented that ignore it.

 

In the OTL, the U.S. and its four primary Anglic allies (the United Kingdom, Canada, Australia, and New Zealand—sometimes referred to as the Five Eyes) are very deltaphilic: they tend to embrace change. (Interestingly and revealingly, the old world primogenitorial source, the UK, is often the one most likely to drag its heels.) The West, in general, has that tendency, but we would say that the US view is Futurist, while the continent is Modernist.

 


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